
The thing that I thought this movie does well is the non-sports stuff - the seventies futuristic world of luxury that Jonathan E. inhabits, where gorgeous women with major cheekbones and long, flowing dresses appear at his ranch house to service him and spy on him for the Energy corporation; where the pretty people who surround Jonathan get together at night-long debauched parties to take unnamed pills and incinerate pine trees with flamethrowing pistols; where living room decor features giant leather couch-beds and crystal globes, etc. etc. I'll leave it to Nick to hopefully elaborate on the radicalism of the plot, which really is pretty anti-business. I can't imagine that the Klein version is the same, though I haven't seen it. Yet.
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